This article proposes a reading of Writing of Raimundo Contreras (1929) by Paul Rokha. The goal is to find traces (signs) of the presence and referentiality of the subject of enunciation within the discourse which he produces, that is, evidencing those textual marks that allow to understand how in Typing a subject of enunciation that turns the boundaries of the first person singular unstable emerges. Specifically, I propose to pay attention to identity configuration models that the subject of enunciation displays. Through which/what rhetorical strategies does the/this subject express his/their self? The identification of such strategies will allow me to determine the ideological implications and ethical opinions and prejudices underlying the Rokhian writing from the first decades of the last century.